The plane to India

I'm sitting inside a giant piece of metal and plastic hurdling through the sky to visit a distant and exotic land.  I hope the pilot has had more sleep than I have.  Times in my life have been more meditative.  I don't sit and meditate every morning these days.  Turbulence rattles the wings outside like a floppy plastic toy.   Flying on the big taxi to India is a 5 hour trip to Newark plus a 14 hour trip to Delhi.

I love how the wings are aligned with the horizon and the wing tip tones match the sky and the clouds.  The clouds above blend into the water below as if there is an active process of transition between aqueous and gaseous forms occurring.  We've just traversed some body of water I can only assume to be a great lake..  As if all lakes are not great, but anyway.

Gazing below at the patches of red, beige, and various shades of green, seams dotted with cars, the land shaped like the "crazy quilts" they make in fabric shops and display at quilt festivals.  These crazy quilt landscapes are more likely sewn by men.  Bedazzled with streetlights and swimming pools.  The trees and forests look like fluffy feltish material.  I want to know that moment when everything changed.  The tipping point.  The constructional pivot point at which there came to be more land cultivated or paved or bulldozed or housed than there was land with those fluffy tree things.

I imagine a unified effort throughout the country to radically change the way we buy products.  A partnership between the community and the company, whereby both parties step up to the challenge of sustainable living.  A growing awareness that all life is really one life.

Osho Speaks about Laughter (part 6 of 6)

“There is a Cosmic laughter which comes into being when the whole joke of this Cosmos is understood. That is of the highest. And only a Buddha can laugh like that. These three monks must have been three Buddhas. But if you can laugh the second type of laughter, that is also worth trying. Avoid the first. Don’t laugh at anyone’s expense. That is ugly and violent. If you want to laugh, then laugh at yourself.

That’s why Mulla Nasruddin, in all his jokes and stories, always proves himself the stupid one, never anybody else. He always laughs at himself and allows you to laugh at him. He never puts anybody else in the situation of being foolish. Sufis say that Mulla Nasrudin is the wise fool. Learn at least that much – the second laughter.

If you can learn the second, then the third will not be far ahead. Soon you will reach the third. But leave the first type. That laughter is degrading. But almost ninety-nine percent of your laughter is of the first type. Much courage is needed to laugh at oneself. Much confidence is needed to laugh at oneself. 

For the spiritual seeker, even laughter should become a part of Sadhana. Remember to avoid the first type of laughter. Remember to laugh the second. And remember to reach the third.”

Thank you, Osho.  Om.

Osho Speaks about Laughter (part 5)

[Finishing the story from the last blog] "So for the first time, the two monks spoke and said, ’We are laughing because this man has won. We were always wondering as to who would die first and this man has defeated us. We are laughing at our defeat and his victory. Also he lived with us for many years and we laughed together and we enjoyed each other’s togetherness, presence. There can be no better way of giving him the last send off. We can only laugh.

But the whole village was sad. And when the dead monk's body was put on the funeral pyre, then the village realized that the remaining two monks were not the only ones who were joking, the third who was dead was also laughing. He had asked his companions not to change his clothes. It was conventional that when a man died they changed his dress and gave a bath to the body. So the third monk had said, 'Don’t give me a bath because I have never been unclean. So much laughter has been in my life that no impurity can accumulate, can come to me. I have not gathered any dust.

Laughter is always young and fresh. So don’t give me a bath and don’t change my clothes.' 

"So just to respect his wishes, they did not change his clothes. And when the body was put to fire, suddenly they became aware that he had hidden some Chinese fire-works under his clothes and they had started going off. So the whole village laughed and the other two monks said: You rascal, you are dead, but you have defeated us once again. Your laughter is the last.'"

The last post on Osho tomorrow.

Osho Speaks about Laughter (part 4)

"The second type of laughter is when you laugh at yourself. This is worth achieving. This is cultured. And this man is valuable who can laugh at himself. He has risen above vulgarity. He has risen above lowly instincts – hatred, aggression, violence.

And the third is the last – the highest. This is not about anybody – neither the other nor oneself. The third is just Cosmic. You laugh at the whole situation as it is. The whole situation, as it is, is absurd – no purpose in the future, no beginning in the beginning. The whole situation of Existence is such that if you can see the Whole – such a great infinite vastness moving toward no fixed purpose, no goal – laughter will arise. So much is going on without leading anywhere; nobody is there in the past to create it; nobody is there in the end to finish it. 

Such is whole Cosmos – moving so beautifully, so systematically, so rationally. If you can see this whole Cosmos, then a laughter is inevitable. 

[A story] "I have heard about three monks. No names are mentioned, because they never disclosed their names to anybody. They never answered anything. In China, they are simply known as the three laughing monks.

And they did only one thing: they would enter a village, stand in the market place and start laughing. They would laugh with their whole being and suddenly people would become aware. Then others would also get the infection and a crowd would gather. The whole crowd would start laughing just because of them. What was happening? The whole town would get involved. Then they would move to another town. "They were loved very much. That was their only sermon, their only message; that laugh. And they would not teach; they would simply create a situation.

Then it happened that they became famous all over the country. Three laughing monks. All of China loved them, respected them. Nobody had ever preached in such a way that life must be just a laughter and nothing else. They were not laughing at anyone in particular. They were simply laughing as if they had understood the Cosmic joke. And they spread so much joy all over China without using a single word. People would ask for their names, but they would simply laugh. So that became their name – the three laughing monks.

Then they grew old. And while staying in one village. one of the three monks died. The whole village became very much expectant because they thought that when one of them had died, the other two would surely weep. This must be worth seeing because no one had ever seen these people weeping. The whole village gathered. But the two monks were standing beside the corpse of the third and laughing – such a belly laugh. So the villagers asked them to explain this."

Come back tomorrow for the end of Osho's story!

Osho Speaks about Laughter (part 3)

"A joke moves in two dimensions. First it moves in a logical dimension. You can conceive it. If the joke goes on logically to the very end, it will cease to be a joke; there will be no laughter. So suddenly the joke takes a turn and becomes so illogical that you cannot conceive it. And when the joke takes a turn and the result becomes illogical; then the expectation, the tension that was created in you, suddenly explodes. You relax. Laughter comes out.

Laughter is the relaxation. But tension is first needed. A story creates expectation, suspense and tension. You start feeling the crescendo. Now the crescendo will come. Something is going to happen. Your backbone is straight like that of a yogi. You have no more thoughts in the mind. The whole being is just waiting. All the energy is moving toward the conclusion. Suddenly something happens which the mind could not think of. Something absurd happens – something illogical, irrational.

The end is such that it was impossible for logic to think about it. And you explode. The whole energy that had become tense inside you suddenly gets relaxed. Laughter comes out through this relaxation. ”Man is bored. Hence he needs laughter. The more bored, the more laughter he will need. Otherwise, he cannot exist.

Thirdly, it has to be understood that there are three types of laughter. The first is when you laugh at someone else. This is the meanest, the lowest, the most ordinary and vulgar when you laugh at the expense of somebody else. This is the violent, the aggressive, the insulting type.  Deep down this laughter there is always a feeling of revenge."

Up next, Osho describes the other two types of laughter…

What if your fancy liberal arts college had a preschool extension school?

College Preschool Extension School Course Catalog

    Haveli College Preschool Extension School (HC PES) classes commence this spring. Here we have compiled a sampling of course descriptions.

    EXPERIMENTAL SCHOOL OF EXPERIMENTAL INTERDISCIPLINARY EXPERIMENTALISM

    ESEIE 103 TOPICS IN AESTHETICS: THE SAND CASTLE (prof TBA)

    In this proseminar, we will examine the sand castle and its predecessor, sand. We will take a survey approach to the history and technique, and end with a focused study of the drip castle, the moat, and found object placement (along with Freud's modification to this technique: found object displacement). Special attention will be given to the practical applications of the sand castle. There will be a $50 lab fee, for sand. Prerequisite: Public Accounting. Class will meet once a week for a hundred and twenty minutes, and students must attend the weekly sea-lab. Enrollment is limited to 15 students. Thursday 1:20-3:20

    EXPERIMENTAL SCHOOL OF GENERIC INTELLECTUAL EXPERIMENTALISM

    ESGIE 238 PLAYGROUND THEORY (prof TBA)

    In this course, we will examine complex notions of 'play' as it relates to the first-grader in terms of socioeconomic background. We will look at studies on working-class first-graders and first-graders of color at the 'play'ground which show a recent trend for an increasing sense of upward mobility, especially when near the ladder to the slide. Readings will rely heavily (but not too heavily) on Scooter B.'s Derridian reading of Morrison's 'Heterosexism and the Seasaw'. Also, we will look at the queer subtext of Foucault's 'Critics of the Tire Swing: What Matters Who's Swinging', in which Foucault shifts the mode of questioning from 'why are we dizzy?' to 'who is getting dizzy?' and 'on whom are the Dizzy hurling?' Finally, we will examine the 19th century colonization of the swingset by second-graders, and look at its' effect on playground structure (a post-structuralism of sorts). Prerequisite: at least one course on Topics in Aesthetics. Enrollment open. Tuesday and Thursday 1:30 to 2:50

    EXPERIMENTAL SCHOOL OF EXPERIMENTAL SOCIALISM

    ESES 189 NAPS OF THE THIRD WORLD (prof TBA)

    This couse will take a critical look at napping conditions in Sub-Saharan Africa, South Asia, and Central America. Our focus will fall on the 1976 nap revolt in Chiapas (a. k. a. 'The Gweat Wevolution' or 'El Napo Grando Stoppo') during which thousands of four-year-olds attempted a coup on Naptime. The dubious coup crumbled around 3 pm when several of itUs foremost leaders fell asleep. What was the deeper significance of El Napo Grando Stoppo's failure? Is there a common thread between this and other unsuccessful attempts? Texts include Naps are for SapsGoodnight Moon, and Dr. Seuss's The Sleep Book. There will be positively no sleeping in class. Enrollment is open. Tuesday and Thursday 12:50 to 2:20

    EXPERIMENTAL EXPERIMENTALISM EXPERIMENTALIST EXPERIMENTS

    EEEE/ESES 278 DOCTOR, HOUSE, COWBOYS, AND INDIANS (prof TBA)

    This course is cross-listed and will be team taught in order to combine a theoretic background on social programming of archetypal make-believe narrative and a course in creative writing. After examining various texts on make-believe, imaginary and fantasy play of the post-toddler, students will be guided through a process of hypnosis and drunken free-writing sessions, uncovering hitherto hidden truths about our own childhood. Especially important in this course will be the concept of 'false memory'; I think it's a crock. In the beginning, we will rely heavily on some of the lesser-known (read: stupid) writings of Carl Jung ('Let's Pretend!') and Sigmund Freud ('I Like Little Boys' and 'The Natural Tendency Toward Incest'); each day we will try to use Frued less and less until we no longer need him at all. Prerequisite: Successful completion of Psychoanalysis. Limit 25 students. Tuesday and Thurdsday noon to 5:00 

Osho Speaks about Laughter (part 2)

If you ask the question, "What is the meaning of it?", you will feel meaningless. And when meaninglessness is felt, one will be bored. Animals are not bored. Trees are not bored. Rocks are not bored. They never ask what the meaning and purpose of life is. They never ask; so they never feel it is meaningless. As they are, they accept it. As life is, it is accepted. There is no boredom. Man feels bored. And laughter is the antidote. You cannot live without laughter; because you can negate your boredom only through laughter. 

You cannot find a single joke in primitive societies. They don’t have any jokes. Jews have the largest number of jokes. And they are the most bored people on the earth. They must be bored; because they win more Nobel Prizes than any other community. During the whole of the last century, all the great names are almost all Jews – Freud Einstein, Marx. And look at the list of Nobel Prize winners. Almost half the Nobel Prize winners are Jews. They have the largest number of jokes.

And this may be the reason why all over the world Jews are hated. Everybody feels jealous of them because they win every competition. When you cannot compete with someone, hatred is the result. Jews must be feeling very bored. So they have to create jokes. Jokes are the antidote for boredom.

Laughter is needed for you to exist. Otherwise, you will commit suicide. Now try to understand the mechanism of laughter and how it happens. If I tell a joke, why do you laugh? What makes you laugh. What happens? What is the inner mechanism? If I tell a joke expectation is created. You start expecting. Your mind starts searching for what the end will be. And you cannot conceive the end.

More from Osho coming up…

Osho Speaks about Laughter (part 1)

"This is worth considering. It is significant. The first thing to understand is that except for man, no animal is capable of laughter. So laughter shows a very high peak in the evolution of life. If you go out on the street and see a buffalo laughing, you will be scared to death. And if you report it, then nobody will believe that it can happen. It is impossible. Why don’t animals laugh? Why can’t trees laugh?

There is a very deep cause for laughter. Only that animal can laugh which can get bored. Animals and trees are not bored. Boredom and laughter are the polar dualities, these are the polar opposites. They go together. And man is the only animal that is bored. Boredom is the symbol of humanity. Look at dogs and cats; they are never bored. Man seems to be deep in boredom. Why aren’t other animals bored? Why does man alone suffer boredom?

The higher the intelligence, the greater is boredom. The lower intelligence is not bored so much. That’s why primitives are happier. You will find people in the primitive societies are happier than those in civilized ones. Bertrand Russel became jealous when for the first time, he came into contact with some primitive tribes. He started feeling jealous. The aboriginals were so happy, they were not bored at all. Life was a blessing to them. They were poor starved, almost naked. In every way, they had noth-ing.

But they were not bored with life. In Bombay, in New York, in London, everybody is bored. The higher the level of intelligence and civilization, the greater the boredom.  ”So the secret can be understood. The more you can think, the more you will be bored; because through thinking you can compare time as past, future and present. Through thinking you can hope. Through thinking you can ask for the meaning of it all. And the moment a person asks: ”What is the meaning of it?” boredom enters, because there is no meaning in anything, really."

Osho's satsang on laughter continues…  Stay tuned for part two.

Your Creative Groove

Creativekid
Would you like to feel more productive, more excited, and less like you're pulling teeth while creating your artwork?  It could be as simple as turning your desk to face a window. 

Does it ever seem like you're just not "on your game" and you can't figure out why?  Perhaps you haven't yet found your Creative Groove.  I had a realization recently that changed my whole sense of myself as an artist and creator.  I was feeling discouraged about writing comedy, and not getting that "funny" feeling I get when I something makes me laugh for a while. 

One day, while talking about it with a friend, we started joking and laughing, and I suddenly remembered that I'm funny when I'm with other people!  Things strike me as funny, and I get to share them around people I have fun with–particularly people who I don't feel competitive with or judged by.  That's when I open up, laugh at things, and start to feel the creative juices flowing.  That's also when I pull out my notebook and joke that I'm going to write down what just happened.  My friends laugh, but I really write it all down.  If we "wrote" it together, I ask their permission to talk about it on stage. 

I also know about myself that once I've written notes, I need time on my own to edit, sort things out, and use the other side of my brain to see what else I can fill in.  I also use the time on my own to reflect if what I'm writing about really feels like it's in my "voice" and it's aligned with what I want to say to the world, or if it's really been influenced by that particular group of friends.  Then, I go back to people again–this time an audience–to work on my material next. 

I actually knew how to get into my Creative Groove, but I'd forgotten.  Do you know where to tap into your Creative Groove?  Take some time to answer these questions to help you consider when you feel most creative.  What does your body or heart want to tell you about when it's happiest and most free?  Is it:

Night time? Morning? Afternoon?
Every day, same time?
Big chunks some days? Little bits every day?
Doing it when you don't feel like it and then getting in the groove?
Only when you feel like it?
Do you groove better around people or alone?
Which part of the house? Or maybe a cafe?  Loud cafe or quiet one?
Maybe at a co-working facility?
What foods help you create better?
Are you more creative standing? Walking? Dancing? How about showering?
Do you need to meditate, exercise, eat, sleep, or vent before you're ready to create?

"Would you eat them in a box?  Would you eat them with a fox?"

-Dr. Suess

If feels like Green Eggs and Ham, you're on the right track.  Invest some time getting to know just how you like to work!  You'll be happy you did.

How to Actually Manifest Your Dream, Part 5 of 7

Hat
In the last post, you were in the "creation" phase.  Creation is always happening, but it can get blocked, so we did a lot of exercises to make a safe container for the creative part of you to unfold.  As you move into the next phase, keep taking time to be intentionally and spontaneously in creation–free of criticism. 

And now, very gently and clearly, we're going to begin the process of editing.  Many people consider editing to be the most important part of art because this is where we begin to turn toward the idea of our work being received.  Many people consider art incomplete until it is in fact received–that seeing, hearing, or experiencing the work is its last phase of creation, "closing the loop."  I agree with this, but I also feel that for some art works, the maker can also be the best audience.  If we don't please ourselves in our art, we're not doing anyone else any favors!

So here's an exercise to transition yourself temporarily from creator to editor, feeler to thinker: 

Get three actual hats.  Really do this…  Maybe your "creator" hat is big and silly, your "appreciator" hat is beautiful and flowery, and your "editor" hat is like a newspaper editor's? 

Have your "creator" hat on while you're brainstorming, writing, drawing, singing…  After your allotted creating time, take off your creator hat, and put on your "appreciator" hat.  As the appreciator, you will talk to the creator for a few minutes and let her (or him) know how thankful you are to her for being so open and uncensored.  Tell her how it felt (fun? silly? exhilarating?) to be with her, and how happy you are that she has come to play with you.  Tell her that the next step you are going to take is to gather, organize, and edit what she has delivered so you can deliver this gift to the world!  Ask her if she has any requests of how you shape the material.  Ask if she will stay as an observer of the process to help keep the integrity of the work.  When you are done, take your appreciator hat off and put on your editor hat. 

If your creator lives mostly in your second chakra (the pelvis), your appreciator lives mostly in your heart chakra.  Your editor lives in your throat and "third eye" chakras.  Sitting with your back straight so all of your chakras are aligned, begin to look at your work with a warm, clear head.  Look at it as if it's not in fact your work at all, but the work of your best friend.  Begin to sort, clarify, and solidify what's there, seeing the best in it, and looking for places to chip away the extraneous pieces.  Do more cutting than adding.  Finish off your session with a quick flip of the appreciator hat and remind yourself how much great work you've just done and what your purpose in doing this is!

"The intuitive mind is a sacred gift and the rational mind is a faithful
servant. We have created a society that honors the servant and has
forgotten the gift."

-Albert Einstein